Top 5 Christmas Gift Guide: For Her under $100

His list of picks is for the men… who, naturally, need some shopping help this time of year. Christmas gifts for her can be really hard to find, you never know what they want, what they like… it can be overwhelming. Don’t worry! I’m here to help. We’ve got some great gifts for the women on your list, all for under $100.

1) Chenille Turtleneck Sweater

This turtleneck sweater just makes sense for anyone who lives in a warm climate. It’s soft and comfy, and is really cute. What a great idea!
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2) Large Leather Purse

This purse is for the woman on the go. She’s so busy, and needs a lot of room to put everything that is essential for her day to day life. The casual style of the bag also allows it to be a year-round bag.
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3) Vintage Style Brooch

Brooches are a huge trend this year, but one that is classic will last the test of time. She’ll love these vintage pins. She can wear them on a coat, sweater, anywhere. These brooches are great gifts for the stylish on your list.
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4) Burberry Nova Check Scarf

Burberry says class, sophistication, and confidence. The Nova Check print from Burberry is a signature item, and is perfect for the classy gal on your list. If she’s a Sex and the City fan, you’re a shoo-in for picking the best Christmas gift for her.
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5) Necklace with Heart and Pearl

When all else fails… bling! You can’t go wrong with jewelry, and this heart and pearl combo will really show you care. It’s delicate and beautiful, all at the same time. A great gift for mom, wife or girlfriend.
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Top 5 Christmas Gift Guide: For Him under $100

Buying gifts for men is hard enough, but buying fashion related gifts is even harder. Let’s all be honest here: men want gadgets. They want something computer related or electronic. But, I’ve searched long and hard, and found 5 cool fashion related gifts that I even ran by my husband (a real “guy” guy) who says these are gifts he’d like to receive! We have the man seal of approval on these Christmas gifts for him.

1) Ralph Lauren Polo

A Ralph Lauren polo is like pumpkin pie at Thanksgiving. You can’t go wrong. It’s a given, a classic. As long as the sizing is correct, this will be a great gift for any man on your list. I’ve shown it here in navy, but rest assured, they come in a plethora of colors.
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2) Watch

A watch is something everyone needs, male or female. Choose one that really represents the man you’re buying for. For example, if you’re buying for a geeky guy, look for a watch with a USB Flash drive. If he’s athletic, find one with a stopwatch… you get the idea. Personalize it as much as possible.

3) Brown Leather Executive Briefcase

A briefcase says one thing, if nothing else; “I’m important.” This will be the perfect gift for the executive guy on your list. Whether he’s starting up his own online business, or works in Corporate America, a briefcase will help him keep his things in order.
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4) Nike 'Shox Monster' Running Shoe

This is the perfect gift for the guy who’s the outdoor type. These Nike’s barely make it on our under $100 list, at $99 and some change, but totally worth it. These are great shoes for the athletic guy on your list, be it your jock boyfriend, basketball obsessed brother, dad who likes to run or husband who is always on the run.
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5) Majestic Men's Stripe Terry Robe

The Hanes commercials ring true: “Guys will implore every possible way to be comfortable”. And a comfy terry robe will let him know that you care about his comfort. This gift is appropriate for any man. You can’t go wrong with this; it’s the perfect Christmas gift for him.

USA : Nordstrom Oct comparable store sales climb 6.4%

Seattle-based leading fashion specialty retailer Nordstrom Inc reported preliminary sales of $556.2 million for the four-week period ending October 29, 2005, an increase of 8.7 percent compared to sales of $511.9 million for the four-week period ending October 30, 2004. Same-store sales increased 6.4 percent.

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Nordstrom Inc is one of the nation's leading fashion specialty retailers, with 154 US stores located in 27 states. Founded in 1901 as a shoe store in Seattle, today Nordstrom operates 97 full-line stores, 49 Nordstrom Racks, five Faconnable boutiques, one free-standing shoe store, and two clearance stores. Nordstrom also operates 32 international Faconnable boutiques in Europe.

Additionally, Nordstrom serves customers through its online presence at http://www.nordstrom.com and through its catalogs. Nordstrom Inc is publicly traded on the NYSE under the symbol JWN.

USA : Gap Inc hires Bobbi Silten, Chief Foundation Officer

Fashion retailer Gap Inc has named Bobbi Silten as Chief Foundation Officer to lead Gap Foundation and oversee Gap Inc’s philanthropic endeavors.

Paul Pressler, President and CEO of Gap Inc stated that Bobbi’s lifelong passion for community giving and her commitments to engaging employees make her a great fit for Gap Inc. This position will allow Bobbi to draw on her rich history of volunteerism and mentoring and focus her energy on philanthropic efforts on a full-time basis.

Before joining Gap Inc, Ms. Silten was president of Dockers and Slates for Levi Strauss & Co. While with Levi Strauss, Ms. Silten was a member of the board of directors for the Levi Strauss Foundation and for the Levi Red Tab Foundation. She also served as Levi’s executive sponsor for the Susan G. Komen Breast Cancer Foundation “Race for the Cure”.

Ms. Silten is a member of the advisory board for the Retail Management Institute, a program at Santa Clara University created to provide unique educational and career development opportunities for students and retail professionals.

Since 1976, Gap Foundation - the charitable arm of Gap Inc representing Gap, Banana Republic and Old Navy - has spearheaded the company’s community involvement efforts through grants, in-kind donations, community outreach and employee volunteer programs. The Foundation primarily supports organizations focused on children, youth and families.

Leading specialty retailer Gap Inc offers clothing, accessories and personal care products for men, women, children and babies under the Gap, Banana Republic, Old Navy and Forth & Towne brands.

Men's fashion - Dress Shirt

On Dress Shirts

They all came, some wore sentiments
Emblazoned on T-shirts, proclaiming the lateness
Of the hour, and indeed the sun slanted its rays
Through branches of Norfolk Island pine as though
Politely clearing its throat…
– John Ashbery, ‘The Other Tradition’
Sweet, lovely shirts. Barrel-cuffed or French, button-collar or fly, we’ll take them in any form – as long as they’re well made. Unfortunately, as we grow older, our styles age with us, and a line of bent hangers marks our sartorial missteps. Here then are some rules to help you grow your battery of shirts with care.

First, a ground rule: Shirts, like all matter, can be destroyed. A shirt you buy tomorrow won’t last more than two years. Chili parties, leaky pens, sip-tops, the world is full of ways to ruin good fabrics. So don’t get sentimental when your Thomas Pink turns pinot noir; you never should have spent that much money anyway.

For dress shirts, you’ll either buy them off the rack or have them made for you. While the latter is the preferable method, it’s also usually the most expensive. Most men buy dress shirts in three ways: from a catalog, off a hanger, or from those wooden cubby-holes that haberdashers use to make their store seem like a gentleman’s club.

In all cases, the most important thing to know is your size. We don’t mean small, medium, or large. We mean knowing the length of your arms and the girth of your neck at all times. If you don’t know, go to a fancy shirt-shop and have a caring salesman wrap you with measuring tape. Scribble down the numbers and memorize them as if they were a pass-code to a better life. And they are.

This pass-code, however, is not a universal standard (except that any man in a well-fitted shirt is probably living better than a man in an ill-fitting one). Neck and sleeve sizes don’t mandate design, so where one 15-33 makes you look like Justin Timberlake, others could drape Perry Mason. Some shirts are cut longer than others so you have enough tail to tuck. Unfortunately, most times you’ll look like you’ve crapped a blanket. Others are cut too short, so when you raise a hand your tail comes un-tucked. This is why we don’t recommend catalog shopping where avoidable; you need to sample the wares before clinching the sale.

And sampling means noticing how the shirt is made. Examine the stitching, the buttons, the hem. If the shirt looks cheap, it is. And if you wear that shirt, you’ll look cheap. If looking cheap is your thing, God save you. Shirts, while more expendable than suits, are worth the money they cost, to a point. No shirt, unless it’s made-to-measure, is worth more than $150. If you’re going to spend more than that, have it made for your body.

Let us note, before going further, that the experience of having good shirts made for your body, with all of your preferences in mind – style, collar, cuff – is a wonderful, expensive indulgence. You are choosing to pamper your vanity rather than a small village in Africa. You must be without guilt or illusions: you are paying someone a lot of money to make shirts that will fit you, and only you, perfectly. If you decide to go down this path, make sure you work with a good tailor, and have the permission of your partner. If you’re in New York, may we recommend Seize sur Vingt.

To start with style, there are a variety of collars available to the shirt-shopping man.

Straight: Possibly the most standard of men’s collars these days. This collar aims in varying degrees of ‘down.’ There are a number of ‘spreads’ available in straight collars, the ‘spread’ being the amount of space visible between the collars, at the neck, where a tie might live. Choose too-narrow a spread and you could be on the GoodFellas poster.

Spread: A straight collar that’s been spread to the point of not being considered straight anymore. This collar is also sometimes referred to as the ‘cutaway’ collar, for the large amount of visible space between collar tips; it’s also called the ‘British Spread,’ because it’s popular there and Americans love wearing anything that smells European. Due to their construction, spread collars are typically slightly less-wide than straight collars. This collar, too, is available in a variety of spread distances.

Button-Down: The collar that’s affixed to the shirt, popular with Mormons, prep schools, mod parties, and consulting firms. I.e., either hip or square, depending on how you wear it. Never wear the collar unbuttoned. And don’t snip off the buttons to make it a non-button-down shirt: you’ll still be left with buttonholes in the collar, and people will notice. And we don’t want that.

Curved: A straight collar that has a slight curve outwards from the face. It’s a different look, for a different type of man. Yes, just different. And sometimes preferred by Steve Martin. No comment.

Tab: A collar that has a small snap-tab connecting the two collar sides together. No real idea what this tab is for. Must be a reason. Maybe it’s an added security feature.

Banded: Quite simply, no collar – just a button at the neck. Preferred by Michael Stipe circa-1990 and Robin Williams at any formal event. Come to think of it, Steve Martin’s also worn it on occasion. Good for wooing women with the I-used-to-be-a-Yoga-instructor-but-now-I-study-African-drumming look.

The point in having so many collars is that you get to choose one that suits you. It’s often said that men with narrow faces should choose collars that are wider, to help broaden their faces; conversely, men with wider faces should choose collars that are narrower, to help lengthen their faces. Personal style is really the best route, though: don’t choose a collar that isn’t you. And don’t blame your face for keeping you from wearing what you want. Only Hugh Grant is Hugh Grant, and anyway, we suspect he’s a doofus.

On to cuffs. This is the easy part. You have a few options, but it’s mainly built-in buttons or holes for cuff-links. Again, personal style. A note on cuff-links, though, in case you want to wear them: never wear cuff-links if you’re not wearing a jacket. Otherwise you’ll look like a pirate who forgot to hide his treasure.

Once you have your cuffs, size, and collar set, you’re left to fit and color. If you can wear them, always opt for a ‘fitted’ or ‘athletic’ style dress shirt. This means you’ll walk away with a garment that tapers toward your waist, as opposed to the kind that billows at your back like a galleon at full sail. A well-fitted shirt will look like it was sewn right on you. Except without the drops of blood.

Finally: color or pattern. Men usually choose according to one of a few reasons: either they trust the color (men whose shirts are all either white or blue), they need some new colors (the men we just mentioned who are now sick of white and blue), or a color has become trendy (1999, Banana Republic, crimson red). Again, the most we can say is choose the style that’s right for your look, but don’t be afraid of expanding your repertoire. Remember: Shirts are where you get to have the most fun with your outfit, and it’s so easy to be boring.

But what about the sleeves? Good point. For places with summers in the mid-nineties, you can get away with long sleeves for most of the year. And don’t be afraid to roll those sleeves up when necessary. Not only does it look great, but it also suggests you’ve been hard at work on something or other. Probably.

If, however, your summers sit in a neighborhood that’s no stranger to breaking 105 degrees, feel free to wear your dress sleeves short and sit sweat-free, knowing fashion didn’t give you two weeks of carefully tended re-hydration therapy in the hospital.

Now you have your shirt, and you’re ready to get dressed. What seems to change most in dress shirt fashion is how to wear them. Right now it’s alright to leave the tail un-tucked (unless you’re wearing a suit) assuming the shirt tapers to the waist and ends before it’s half-way down your ass. Still, with the un-tucked look so pervasive, tucking or not tucking doesn’t say much, assuming you don’t look like a slob. What people really want to know is, how many buttons are unbuttoned at the top of your shirt.

Zero buttons? You’re either a) the classic nerd, b) an out-of-touch New Waver, or c) a turn-of-the-century heartland obsessive. In all cases, buy a tie; you’ll do yourself a world of good.

One button? Average. Simple. No judgments to be made here. You’re not offending anyone; you’re making nobody wonder. This is probably good.

Two buttons? If you’re starting each day this way, you’re either a cocky bastard or European, and lucky for you, we admire both types. For an American, though, it’s worth waiting until after lunch before you slip that second button.

Three or more buttons? Hope you’ve got another shirt on underneath there, Rico Suave.

Now you’ve got your shirts, you’re wearing them, and people love you. At some point, though, you need to take them off. When it comes time for cleaning, the best method is hand-washing, followed by a nice, stiff press. But who’s got time for that? Instead, get them dry-cleaned (no starch) or have them cleaned and pressed.

When they get back from the cleaners, call that special someone, make drinks, lay a fire. Escort your lover to the closet and – slowly! – take down each shirt, unbuttoning every cuff (you can use your teeth), then throw them up so the air is a cloud of stripes, an ecstasy of cotton.

We love good shirts.

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Men's fashion - SUIT

On Suits

‘Everyone wants to be Cary Grant. Even I want to be Cary Grant.’
– Cary Grant
Without suits, men would have nothing. In the hierarchy of style, a good suit remains a man’s only trump card. Even in this sad age of casual-wear, the suit still carries an air of success, taste, and sophistication. It is designed to make you look better, to break boundaries between social classes, to make a small man tall with pinstripes or a fat man rich with soft wools. The suit looks good in restaurants, trains, dinner parties or Paris; in short, everywhere you want to be. It is, in its best forms, a complete outfit that will never fail you.

And that is exactly what it will do, if you treat it right. Unfortunately the majority of suits you see look awful. This isn’t necessary. Even if you work ten hours with your jacket on, being mindful of your clothing will keep you ready for cocktails after work. Too many men either don’t care or don’t know how to wear a suit, and, suitably, look like shit. This is worth avoiding.

To start us off, a few general rules should be observed when approaching a suit, and most apply to good dressing in general:

The suit, no matter the style, needs to fit your body, closely. This means all pieces should be cut and tailored appropriate to your form. Surprisingly, this doesn’t require a lot of money ($500 can, in fact, get you a good suit) but it does take an eye, and the strength to ignore any saccharine compliments from salesmen.


Trends have six-to-eighteen-month shelf lives. If you plan to retire your suit in this window, feel free to splurge. Otherwise, shop considerately.


Suits are made of wool or cotton, and their variations. Additional fabrics need not apply.


You are an interesting, confident, multi-hued man. Let others learn that from how you behave, not from the label on your jacket.


A suit jacket goes with suit pants, not with jeans or chinos. If you want a casual jacket, buy a sport-coat or a blazer. Stand-up comedians are regularly shot over this rule.


If you’re not comfortable – if you don’t feel the suit’s appropriate for you – the salesman’s looking out for his commission, not your style.


A modestly, well-dressed man has never failed to impress. Yes, never.
Assuming you’re not an investment banker, you don’t need ten suits; you only need four. This means you can be a discerning shopper and spend time accumulating, then keeping your suits in good condition (dry clean once a year, then more for spills; don’t you dare iron it yourself). Think of the process in terms of collecting, spending years searching for that one original-packaged Chewbacca.



The Fab Four

1. The Standard Blue: Great for business, lunches, New York Mayors, summer dinners, or casual parties. Can be worn with black or brown shoes, even white if you’re daring. Reflects well by a pool. Standard blue means navy, with no room for paler shades, even if you went to UNC.

2. The Classic Gray: Appropriate for everything and even makes a red-head look dandy. Grays also are the best with patterns, especially anything in the chevron family. Start with plain, move to window-pane. Even such, the gray is never controversial. It’s the Switzerland of suits.

3. The Basic Black: Our favorite and the perennial classic, it’s a fit at the Oscars or your sister’s wedding, the perfect compliment to a good white shirt, beloved by gangsters, designers, and undertakers (those jobs with the highest doses of fashion-conscious aptitudes; respectively, aggression, vanity, and wisdom). If you only own one suit, this is it. You can even be buried in it.

4. Any of the above, with pinstripes.



The Jacket

So. You’ve picked your color and you’re ready for the fit. First comes the jacket. Never was a suit bought for the pants and repeatedly worn afterwards. Pants are easily adjusted by a tailor, jackets can only have minor improvements. Think of true love: it must be close to just-right at first, with a slight thrill when you put it on, the coup de foudre as the French say.

First off: are you a single-breasted man or a double? While both styles can fit most body types, single-breasted jackets tend to flatter the slim while double-breasted jackets make the broad look mighty. This doesn’t imply being ‘skinny’ or ‘fat,’ it’s simply about your tits; hence the term ‘breasted.’ Choose the jacket style that you can best fill out – from there you’ll always look best. David Letterman, who can rarely be found not wearing a double-breasted jacket, skirts this rule by sitting behind a desk. Notice how uncomfortable he is during the monologue, fussing with his buttons while standing full-view before the camera.

To those opting for the single-breasted jacket, you’ll have to choose how many buttons you want. One? Hmm. Two? Excellent. And returning in popularity. Three? Certainly good, and was much sought-after in the recent past though it’s now reached near total market saturation. But, still classic, and hopefully always available.

Of course, jackets also come in four-, five-, and six-button styles, each with their own fifteen minutes of fame. Four-button jackets have been sported by everyone from The Beatles to Steve Harvey. Can you sport one? Of course! But no, not this season…

Last, the fit. Like we said before, close to the body, but no wrinkles when you button. Vents, double or single, are preferred to the vent-less jacket that, nine times out of ten, looks like a giant condom from behind. Shoulder pads should be avoided – you’re no linebacker – but a tailor will gouge you if you show up post-purchase and ask him to reduce the heft.

Finally, before we move onto trousers, there is one ticklish in-between: the vest. We can put this simply. If you’re ready to buy a vest, you’re either old enough to sport one or dangerously disillusioned. A good rule of thumb: Alfred Hitchcock looked great in vests. Young Jimmy Stewart looked out of his league. Pick your man.



The Trousers

You must now choose a trouser style. There have been, in the history of men’s trousers, a few trends that fucked with a good thing: bell-bottoms, bibs, clam-diggers, ‘cargo.’ Unfortunately, all of these styles eventually found their way into suits.

Men, generally, will take any pants that come with a jacket. Being men, we want some control over how they look – ‘How they work,’ thinks the man – but not too much. Hence, the cuffs-or-no-cuffs debate. Ask a man what he thinks of his pants and he’ll say, ‘Yeah, I had to go no-cuffs.’ We won’t help you here except to say: cuffs are older, no-cuffs are not. Choose according to your image of yourself.

Next comes the pleats question: The only times pleats are wanted is in the single-pleat case, on a pair of wool pants. The case should be that the pants look crisp and well-folded, rather than puckered. How to tell the difference? Think of a pair of pants recently back from the dry cleaner. Remember the line down the middle of the leg. Does your new pleat-to-be look like that? If not, drop the hanger and run.

After cuffs and pleats, you need to worry about waist, swish, drape, belt-loops, ass-hugging, crotch-dangling, and whether or not you need a watch pocket. This is beyond our advice. Suffice to say, your ass is probably less than marble, though it shouldn’t be treated like a towel hook. Pants shouldn’t blow like a scarf in the breeze. The best way to judge a pair of pants is to ask yourself, ‘Would I wear these pants on a date without the jacket?’ If so, they’re fine. If not, move on.

Finally, a salesman will often ask if you’d like to buy two pairs of pants for the suit. The idea is you can alternate pants with the jacket so they wear evenly over time, but since pants can be so easily ruined, you always have a back-up pair. This is similar to electronics store people trying to sell you insurance on an air conditioner; if you have the money, it’s not a bad idea, but it also isn’t necessary.

So now that you’ve picked out your suit, you have to know how to wear it. We’ll assume you know the basics of putting the thing on. (Yes, the jacket part goes on top.) And this brings us to buttoning. It is a historic dilemma, faced by every man. Here, for you, is our easy-to-remember rulebook:

Two-button jacket: Button the top button, only, ever. Button the bottom button and you’ll look like a stooge. That’s really all there is to it.

Three-button jacket: Button either the middle button alone or the top two. Important: the bottom button does not meet its hole. It will plead before a date, just when your stomach’s boiling, ‘Hey! Friend! Button me once, please. I’m sure we’ll look fine. Come on! Just once!’ But you will not give in, you will be strong.


Now the suit’s on, and you’re ready to go. Comb your hair, have a cocktail, head out for the evening. Travel lightly when you go, meaning don’t bulge your pockets with a Bible-sized wallet. Your outside jacket pockets, in fact, should never be used unless your companion asks; at that moment chuck your pretensions and stuff them full. When you get home, brush down the suit, hang it evenly, and keep it in a bag. Wear it often, with pride, and don’t take shit for looking good. After all, no one can be Cary Grant, but everyone can try.

Oh yeah, another thing: Don’t roll up the jacket sleeves Miami-Vice style. We say this now, but then again, considering the fickle nature of fashion, don’t hold us to it.

* * *

Giorgio Signs Major New Deal for A/X Armani Exchange

Under the terms of the he deals, Giorgio Armani S.p.A. and Ong's Como Holdings have created a new joint venture called Presidio Holdings, which will control A/X Armani Exchange, an urban, downtown label par excellence. The designer will have a 25% stake in Presidio Holdings and Ong the controlling 75%, though Armani has an option to increase his stake to 50% in November 2008.

Neither side disclosed financial terms, however, the new joint venture's three-year business plan "foresees an 85% growth in revenues from US$ 300 million projected for the year end 2005 to US$ 550 million at the end of 2008," according to a joint release.

In a statement, the Armani said that by launching his haute couture Privé couture collection in January 2005 and inking this new joint venture for A/X Armani Exchange, “we are effectively closing the circle on our unique multi-brand approach, whereby we are reaching all levels of the marketplace with carefully differentiated lifestyle fashion collections under the Armani master brand.”

The designer has been itching for years to gain more control of Armani Exchange, which initially had mixed success when first launched in 1991. Armani subsequently signed a license in 1994 with the Ong group to manufacture and distribute A/X Armani Exchange, though this deal covered only the United States, Canada, Mexico, Central and South America and the Asia / Pacific region (with the exception of Japan).

So, expect the new partnership to usher in a period or rapid expansion for the brand in existing and new markets, like Japan, China, the UK, the Middle East and Central and South America.

"Thanks to a most effective collaboration with Presidio International, Inc. over the last eleven years, A/X Armani Exchange has become one of the most dynamic collections within our Group with its own unique identity and an ever-growing base of young customers who enjoy its accessibility," Armani added.

"Fast-fashion, where production and distribution systems allow for a collection to be refreshed and replenished throughout the season, is a growing reality in our sector… In the coming years, I believe that A/X Armani Exchange has the potential to become one of the world’s strongest youth fashion brands," he added.

The new partners are planning dynamic growth in the brand's retail network, and expect the brand’s exclusive worldwide chain to double in size from its current level of 95 stores. A/X Armani Exchange will continue to be retailed only through direct mono-brand stores worldwide, the new partners stressed.

Ong said that thanks to, "Giorgio Armani's extraordinary creative vision, we have been able to build the A/X Armani Exchange brand into one of the fashion industry's most significant success stories in those countries... Now, with the new impetus of this joint venture, we have the ability to capitalise on this brand's remarkable potential worldwide, which is an opportunity our highly talented team has been eagerly awaiting."

Ong and her property tycoon husband Ong Beng Seng own two score of franchise stores and multi-brand boutiques in Singapore, plus a chain of super smart hotels including The Halkin and Metropolitan in London and the opulent Parrot Cay resort, on a 1,000-acre island in the British West Indies

Future plans also include the expansion of the A/X Armani Exchange product offering to include accessories, fragrances, eyewear and watches, which could also be sold through the brand's direct worldwide store network. Plans are in the pipeline to significantly expand into e-commerce, since Internet sales are currently only available in the US.

One measure of A/X Armani Exchange's success is that today it boasts 1,767 direct employees, i.e. more than one third the number of 4,800 of the workforce in the extended Armani empire including his Privé, signature line, Armani Collezioni, Emporio Armani, Armani Jeans, Armani Junior and Armani Casa collections.

Party On, Karl. Party On, Carla: Fendi Celebrates New Fifth Avenue Store

Fashion Wire Daily - New York - At Wednesday afternoon's press preview of the new Fendi flagship store at 677 Fifth Avenue, a handful of guests were invited to stop by for tea and a chat with Fendi CEO Michael Burke and architect Peter Marino, the man responsible for designing the bi-level 7,500-sq. foot boutique (he also designed the new Fendi store in Rome, as well as the Louis Vuitton flagships in Paris and New York, Dior and Donna Karan outposts, and various Chanel buildings across the world).

At Marino's latest venture, guests enter a bright and airy space that begins with a section devoted to Fendi's many "It" bags (from the classic Baguette to the B. Fendi to the Spy Bag), and segues to first floor areas devoted to sunglasses, shoes and a capsule menswear collection (fragrance and fine jewelry lines will be introduced within the next 18 months and a full-scale menswear collection will roll out by 2007).

"Everything we tried to do with Fendi was about opposites, because of their Janus-faced image," a black leather-clad Marino told Fashion Wire Daily while handsome waiters from Acquolina Catering passed by with trays of peach iced tea, asparagus, cheese and radicchio finger sandwiches, apple raisin and three-berry tarts, cream-filled pastry puffs and decadent dark and white chocolate cakes. "The house of Fendi is all about dichotomy, so I tried to [interpret] that, physically and metaphysically, on many, many levels."

To wit: every wall of the store is divided exactly in half, with the top half being smooth and curvy and the bottom half being textured and straight (or vice versa). Polished dark gray San Pietrini stone flooring plays off against matte beige Roman Travertine walls and shelving. Baroque details rub elbows with modern fixtures (think: metal and mink curtains). Heavily beaded, hand-crafted Fendi bags and shoes are displayed in stark white backlit cubes. And traditional materials are manufactured in entirely new ways--such as the soaring "virtual waterfall" of illuminated cascading Fendi "F"s that recalls the fountains of ancient Rome in a decidedly 21st century manner and acts as a backdrop for the bronze-railed glass staircase ("We had to have a Roman fountain, but I didn't want real falling water or it would just look like a hotel lobby," laughed Marino).

And then there are the curved slabs of Travertine stone that float near the ceiling, an effect achieved by using a state-of-the-art laser to cut the massive stone into wafer thin slabs that could be manipulated to hang like clouds above calcified plaster panels, the latter of which bear grooves that were raked by Marino's own fingers, furthering the store's handmade-meets-high-tech juxtaposition, and echoing the artisanal hand found in all Fendi products, be it a limited-edition $33,000 squirrel-embroidered Spy Bag, a $30,000 gray persian lamb men's trench coat, a pair of elaborately beaded $3,000 boots or $200 sunglasses (all of which are displayed here to highly covetable effect).

"I'll tell you how it's done," Marino said of his floating Travertine wonders. "I do a sketch, the sketch goes into the computer, the computer cuts a CD, the CD is given to this new machine in Carrara [Italy] that has a laser attached to it, and the laser cuts the block of stone based on the CD based on my sketch."

Wow.

"Wow is right," he laughed delightedly. "You couldn't have even done this a year ago because the machine is only a year old! So just like Fendi is always trying new, innovative technology for fur--they're the ones who made a whole fur coat that weighed as much as a piece of paper, compared to my mother's mink, which weighed more than a Mercedes--I wanted to [try] new things here, too."

Along with the new, comes a bit of the old (make that traditional) in the form of discreet images of classic Italian-centric movies, such as "Roman Holiday" that are projected onto the store's upper walls. And then there are the Fendi designs themselves, of course--the weightless mink coat, the au courant shoes and bags that still painstakingly stitched, beaded and embroidered by hand--all of which merge old-world tradition with new-world technique. But then, we'd expect nothing less from the luxury goods company that recently celebrated its 80th anniversary.

"It's our business we have to reinvent ourselves constantly," CEO Michael Burke told FWD when we caught up with him on the second floor. "And while we're not inventing a new Fendi, we're updating it and keeping it contemporary. The old concept was starting to feel dated and was not entirely in tune with the Fendi values. It was a little too minimalistic, stark, cold--all things that Fendi is not. We're about fun, sensuality, sunshine, smiling. We don't take ourselves too seriously. And it's very very luxurious and light."

Burke stood in the center of the second floor women's ready-to-wear department and gestured to the Fendi Casa home decor section to his right (Swarovski crystal double-F desk lamp, anyone?) and the Selleria section in the middle of the store, which led to a dark-paneled VIP room overlooking Fifth Avenue, where fur throws and mink or laser-cut leather Spy bags were casually strewn across Travertine tables.

And what did he think of the fact that his new store had a breathtaking view of St. Thomas Church across the street?

"It's two different religions," Burke replied with a laugh. "You have to respect all religions. And this is the religion of shopping."

Moss comes back as a cover girl

By David Rose
Cocaine controversy or not, fashionable magazines can’t get enough of her
JUST days after leaving an American rehabilitation clinic, Kate Moss is back in a familiar setting — looking seductive on the front cover of a magazine.

The model appears to be making an eye-catching comeback after the drug scandal that saw her shamed and stripped of her most lucrative contracts.

The American magazine Vanity Fair has chosen to feature a fashion shoot of her on its cover only seven weeks after photographs were published allegedly showing her taking cocaine. Several fashion houses subsequently cancelled contracts with Moss, who fled to the US to recuperate.

She left the Meadows Clinic in Arizona last week after undergoing a month of treatment at a cost of $4,000 (£2,250) a night. Vanity Fair is using previously unpublished photographs of her that were taken last year for the cover of its December issue.

The cover shows Moss, 31, wearing a charcoal Chloé camisole, with a headline asking: “Kate Moss, Can She Come Back?”

Another photograph taken in 2004 shows the Croydon-born model in black underwear, sharing a bed with two kittens. Inside the magazine, another 11 pages are devoted to her story.

Moss has been spending time with friends in America before returning to work but is said to already have jobs lined up in Los Angeles, Paris and New York over the next month.

She checked into the clinic at the end of September, after seeing her career fall apart after pictures from a video taken of her allegedly snorting five lines of cocaine in 45 minutes were published in a newspaper.

She lost her contracts with the fashion chains H&M and Burberry, and Chanel said that it would not be extending her contract. She can expect to lose about £200,000 for every contract cancelled. But other fashion companies, including Rimmel and Dior, publicly supported her after she released a statement pledging to sort out her problems.

Further stories of Moss’s alleged involvement in sex parties emerged in the days that followed. A spokeswoman for Vanity Fair insisted yesterday that the magazine had chosen to feature Moss because she was “topical”. A statement said: “She is interesting and in the news.”

She also features on the front cover of another magazine, W, this month and a prominent editorial offers backing for efforts to restart her career. Dennis Freedman, the creative director of W, said that it had been a “natural decision for the New York-based publication to support the model”.

Moss, who is reported to have dumped her boyfriend Pete Doherty, the singer and self-confessed crack and heroin addict, said that she had “various personal issues” that she needed to address.

The model is understood to be letting her home in St John’s Wood, North London, and plans to move to a Gloucestershire farmhouse with her three-year-old daughter, Lila Grace. She is also said to have hired two minders to keep her away from drug dealers and Doherty’s circle of friends.

KATE MOSS TO QUIT UK FOR AMERICA

By FIONA CUMMINS Showbiz Reporter

TROUBLED Kate Moss is ready to quit Britain for America - and a fresh start after her drug problems.

The supermodel, who left rehab in Arizona this week, has drawn up plans for a permanent move.

Kate, 31, has consulted experts about the tax implications - and looked at apartments in New York.

A source close to the mum-of-one revealed: "Kate has been badly shaken by events of the last couple of months.

"She will miss her family but she thinks it might be better to live away from Britain for a while."

Kate is staying with friends in America after 30 days in drug therapy.

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She has a number of modelling assignments lined up in Los Angeles, New York and Paris over the next six weeks.

And Kate's family are also understood to be keen to keep her away from on-off lover and heroin addict Pete Doherty.

The insider added: "The best way for her to avoid temptation is simply not to see him any more."

The model will keep on her homes in North London and Gloucestershire.

Her daughter Lila, three, is expected to move to America with her.

Kate will return to the UK for Christmas, as revealed by the Mirror.

Five-day textile spares expo from July

The third International Textile Spares Expo, being organised by the Southern India Mills' Association (SIMA), will be held in Coimbatore from July 27 next year.

The five-day expo would provide tremendous opportunities to the textile industry, spares manufacturers, entrepreneurs and technocrats from various sectors to formulate future strategies with regard to textile spares, accessories and equipment, a SIMA press release said on Wednesday.

The objectives of "TEX SPARES-2006," were to promote and create awareness about the availability of all kinds of textile spares, accessories, electrical electronics items and to provide opportunities for import substitution, it said.

Stating that the Expo would provide a platform for buyers and sellers under one roof, SIMA said it would also provide new vendors adequate exposure to the Indian textile and clothing machinery and spares market.

Moreover, the latest technology and innovations would be on display, giving the buyer and manufacturer a unique opportunity to exchange need-based information for further development and cost cutting.

Leading manufacturers and suppliers of spares of ginning, spinning, weaving, processing, power and handlooms, knitting and garments would participate in the event, it said.

International seminars on various textile-related topics have also been organised from July 28 to 30.

Cosmetic made from food - Japan

COSMETICS MADE FROM FOOD
Tapping the Skin-Care Properties of Everyday Foods (January 18, 2005)

cosmetics from food
Cosmetics made from sake (Gekkeikan Sake/Jiji)
Skin-care products made out of sake, soy milk, natto (fermented soybeans), and other common Japanese fare are now all the rage. Their popularity is thought to be an outgrowth of heightened public interest in healthy living. Facial cleansers and other skin-care products have become a focus of particular attention because they are applied directly to the skin. The trend is also being fueled by the ready availability of these goods at neighborhood drugstores and over the Internet and by their low cost.

Natural Moisturizers
In Japan, it has long been said that The hands of sake brewers who handle rice bran every day are white and youthful, so the beautifying effects of this part of a rice grain are common knowledge. Even before the present trend took shape, some Japanese washed themselves with a bath mitt filled with rice bran or poured a bit of sake into their bath water in place of bath salts or powders.

Rice bran, which is the outer part of the grain, is rich in vitamins and minerals but is removed when brown rice is milled. A huge amount of bran is generated in the process of manufacturing sake. Over the past few months, one sake maker after another has entered the skin-care market, intent on making use of this valuable byproduct by creating its own line of goods.

The trailblazer for rice bran cosmetics is the Komenuka Bijin ("Rice Bran Beauty") line, manufactured by the sake brewer Nihonsakari Co. Having started with a facial cleanser in 1987, the company has since developed a full lineup of products. In October 2004 it added a new series of products, Komenuka Bijin NS-K, which are made from an extract of the yeast used to ferment sake. Komenuka Bijin is sold not only in Japan but in the United States, too, where it has a devoted following, and the company is now considering expanding into the Russian and Chinese markets.

Another sake producer, Gekkeikan Sake Co., released a line of four products, including facial cleanser and toner, under the label Moist Moon over the Internet in October. Moist Moon skin-care goods have been a hit with consumers who prefer natural products and do not want to use anything strong on their skin, since they contain no added fragrances, coloring, or mineral oils. Meanwhile, Hakutsuru Sake Brewing Co. also joined the fray, coming out with three Rice Beauty products, including a toner and a milky lotion. The company plans to expand its sales network from online shopping to supermarkets and other retailers. The products provide long-lasting hydration for just ¥1,000 ($10 at 100 yen to the dollar) to ¥2,500 ($25).

Staying Young with Soybean Isoflavones
Cosmetics containing soy milk are also popular, thanks to the benefits of isoflavones, compounds that function like the female hormone estrogen. Isoflavones are found in the liquid generated when soybeans are fermented with lactic bacteria. Tokiwa Pharmaceuticals Co. recently marketed a line of basic skin-care goods that uses an isoflavone-rich liquid made from organic beans. The products are said to remove active enzymes and slow down the aging of the skin, prevent the production of melanin and maintain the skin's whiteness, and keep in moisture. Sold in drugstores, the products cost about ¥1,000 ($10).

Finally, Japan Corporation, a subsidiary of ST Chemical Corporation, has marketed four skin care products featuring a combination of the amino acids that make natto sticky. The products do not have natto's stickiness or pungent aroma, but they leave the skin feeling moist thanks to the inclusion of these moisture-maintaining amino acids. The soybeans used to manufacture them are not genetically modified. The products are available at drugstores and other retail shops for about ¥1,000 ($10).

How to wear a kimono

Step 1:
Hold the two collar ends (‘erisaki’) with the right hand. Place the yukata to the right side and take a step forward.


Step 2:
Bring the yukata over the back of the body. Open it up.

Looking for YUKATA OBI or KIMONO - See our extensive range online - Oriental Artifacts - The Kimono specialists
Step 3:
Wear the yukata over the shoulders. Hold both overlaps with both hands away from the body.


Step 4:
Hold the yukata tightly and lift it off the floor. Lower the yukata slowly to adjust its length. The skirting of the yukata is worn just above the ankles.
Step 5:
Continue to hold the yukata tightly. Bring the left overlap over the body and adjust its width such that its edge runs along the right point of the hipbone.


Step 6:
Continue to hold the yukata tightly. Open up the left overlap and bring the right overlap over the body. Lift the end of the right overlap by about 3-5cm.

Looking for YUKATA OBI or KIMONO - See our extensive range online - Oriental Artifacts - The Kimono specialists
Step 7:
Continue to hold the yukata tightly. Bring the left overlap over the right overlap and hold its end with the right hand. Take the first waist sash (‘koshi himo’ sash) with the left hand.


Step 8:
Remove any creases around the stomach, waist and back with the left hand. Tie the ‘koshi himo’ sash around the waist.
Step 9:
Insert both hands into the openings under the arm (‘miyatsuguchi’). Use both hands to remove any creases around the waist on both the back and front of the body.


Step 10:
Hold the ‘centre’ line on the back with the left hand and adjust the distance between the collar and neck by pulling the collar ends with the right hand. Please note that the distance between the collar and the neck should be the size of a clenched fist.

Looking for YUKATA OBI or KIMONO - See our extensive range online - Oriental Artifacts - The Kimono specialists
Step 11:
Fold the top right overlap to make a triangle shape.


Step 12:
Bring the upper left overlap over the upper right overlap. Tie the upper overlaps with a second ‘koshi himo’ sash.
Step 13:
Check that the top and bottom parts are aligned.


Step 14:
Check the centre line on the back.

Looking for YUKATA OBI or KIMONO - See our extensive range online - Oriental Artifacts - The Kimono specialists
Step 15:
Hold the obi board (‘obi ita’) with the left hand. Please note that ‘obi ita’ is used to maintain the shape of the obi tie.


Step 16:
Wear the ‘obi ita’ on the front of the body.

OHYA/ASTROBOY blast off from JFW

OHYA/ASTROBOY blast off from JFW
By Paul McInnes, Saturday November 5, 2005

Cult fashion designer Hiroaki Ohya unveiled his 2006 Spring/Summer OHYA/ASTROBOY collection this afternoon. In a typically edgy and creative show Ohya confirmed his ability to make imaginative and aesthetic clothing.

Models wore silver bindi like jewelry on their faces while slowly ascending the stage. Punky white shirts, aprons worn over shorts, beaded belts, Pop Art Astroboy patterned pants and unbelievably impossible hair styling by Tetsu made for magnificent viewing.

Colourful cartoon colours and futuristic black boho dresses stole the show as this collection slowly came to a close. This was pure unadulterated Pop Art in the vein of Lichtenstein and Warhol and if space age patterns and loopy designs are your thing then Ohya is your designer of choice.

GIRLS' STYLE

If you ever visited a Japanese bookstore you are familiar with the rows and rows of fashion magazines. The most interesting ones are without doubt the ones that follow street fashion. Girl’s Style documents the street fashion trends of the Kansai area, the Western Japanese triangle covering Kobe, Osaka, and Kyoto.

Girl’s Style is published just four times a year, and targets young women between 15 and 22 years old. It is a fairly small magazine of about 180,000 copies a run. But in spite of its small size and its youth (it was started earlier this year), it has a fairly large impact. If you live in the Kansai, are female and want to be up-to-date this is one mag you don’t want to miss.

Editor Shigeru Kita explains how they select the people they feature in their magazine: “We look at how much fun they seem to have with their clothes. Casual is the keyword, but the clothes have to radiate fun with a capital F.” Most clothes in Girl’s Style are playful, but far removed from Fruits’ avant-garde style. These are the kind of clothes you can wear when you visit your boyfriend’s parents.

Many Japanese street fashion magazines try to widen their appeal by covering clubs, concerts, events, and art events. Not Girl’s Style. This is 100% pure fashion. It consists almost completely of head-to-toe shots of people showing off their own clothes. Not in tiny thumbnail photos, but easy-on-the-eye big ones. Some of the shots cover a whole page, many other pages hold four. Just as on JAPANESE STREETS, brands and prices (as well as age and occupation) are given. If you don’t read Japanese, you are out of luck. All descriptions are exclusively in Japanese. The excellent and clear photographs make up for that many times over though.

Besides clearly showing the latest trends on Kansai’s city streets, Girl’s Style also tells you where you can buy the gear. Each issue covers dozens of shops, with lots of photographs, and—this is really cool—the shop assistants modeling the stuff they sell. Mind you, these articles are not disguised advertisements as is usually the case with these kind of magazines. The publisher keeps a pretty large detachment of stylists and editors at hand who go out searching for cool and trendy places. If it is in Girl’s Style you can be sure it is worth a visit. And if you are directionally-challenged, amazingly well-crafted maps help you on your way.

What's to wear this winter

Knitwear is one of the biggest fashion trends for autumn winter 2005 -2006.

There were two distinct looks that emerges from the catwalks lady like knitwear or retro sixties chic. For the ladylike trend, knitwear is slim and fitted and looks good teamed with pencil skirts or fitted trousers.

Choose simple but elegant V necks for a classic daytime look. Sweater dresses are another key trend shown by Jean Paul Gaultier, Christian Dior and Stella Mc Cartney.

The black and white monochrome sweater dress teamed with knee high boots and cap is very retro. Alternatively, a sweater dress with a huge belt is a perfect chic modern look.

Knitted cardigans come in bright shrugs or chunky polo necks to keep warm and to look fashionable in the winter months ahead.

Sixties and seventies retro chic made an appearance on the catwalk. There were sixties styled floral smocks as well as monochrome prints and stripy black and white sweater dresses.

To achieve this look team with sexy knee high boots and accessorise with jauntily perched caps. John Paul Gauliter took inspiration from the glam rock days of David Bowie and T. Rex.

Models were sent down the catwalk in tight silver and red trousers, shaggy jackets and skinny scarves. Another key look is for the fitted silhouette as seen in the woman's wear collections. Coats were beautifully cut emphasising the figure in classic trenches, pea coats and jackets.

Stella Mc Cartney's followed the trend with her new look coats with huge sleeves and sexy short capes. Chanel designer Karl Lagerfeld also showed a strong and sexy silhouette with tight jackets and cropped jackets.

Fashion Trends 2004-2005
Autumn 2004 & Winter 2005
Part 1 - Colour, Fabrics, Pattern & Textures
By Pauline Weston Thomas for Fashion-Era.com


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General Outlook for Fashion Fabrics and Textiles Trends 2004 - 2005

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The General Outlook for Colours, Fashion Fabrics and Textiles 2004/2005

Colours 2004/2005
Colour is reborn making it the main trend to follow in 2004 and 2005. Colour is back with a vengeance and autumn 2004 and winter and summer 2005 will see bright dramatic jewel colours vying for attention in a multitude of materials and textures.
Fashion Colour Palette for 2004/2005

Image enlarges
Picture of Fashion Colour Palette Autumn 2004 and Winter 2005

Colours to choose from for 2004/2005 include:-

dusty apricot, old gold, mustard yellow, honey, yellow gold, banana cream, topaze, burnt ochre, camel, stone, sepia, peach, orange, brown, bronze, chestnut, tobacco, wood tones, cocoa, chocolate,

ballet pink, bright pink, rose, sugar pink, dusky pink, hot fuchsia pink, coral,

chilli red, berry, scarlet pepper, garnet, bordeaux, burgundy, beetroot,

Green is big, very big this season, and there are so many shades to choose from that every skin tone can find a green to suit them. Choose from lettuce, cucumber, eau de nil, avocado, asparagus, clover green, kiwi, pea green, moss green, leaf green, pistachio, olive green, parsley green, Kelly green, sage, mint, basil, bay, ivy, pine green, emerald, olive, jade, verdigris, sea green to aquamarine,

washed out blue, ice blue, pale blue, ecru, beige, blue, denim blue, sapphire

lilac, lavender, true purple, amethyst, violet, aubergine, grape - purple and lavender will abound,

grey, charcoal and of course black, cream, oyster and white, crystal white and ivory.

But the colour story does not stop there, Metallic Colours are hot for Autumn 2004 and Winter 2005. Metallics and more metallics will shimmer and shine on many diverse materials.

Copper leather and metallic leathers will enhance skins. Coloured tights in copper and other metallic tones will shimmer boldly and subtly and the choice to have this lustrous sheen on materials, from fabrics to footwear will be yours.

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Fabric Trends 2004/2005

With fabrics there are 4 big stories. The first is that printed pattern is back and the second is the use of fur in a fresh way as a contrast against other fabrics from chiffon to satin to suede to leather. Fake or real, both fur types will be popular. The third is that glorious tweed fabrics and textured fabrics made from woven ribbons, will add even more textural interest when set against materials that are smooth like flannel. Knobbly tweed jackets contrast with plain smooth trousers giving even more attention to the tweed. Finally down filled or padded items, especially functional parkas will be practical and fashionable.

Chiffon, organza, shimmering metallic lace, satin, silks and crepes will all play their part.

To Top of Page
Pattern Trends 2004/2005

Pattern will be everywhere. Paisley and geometrics will predominate. Blended checks, speckled materials and colourful herringbones amid reversible two colour fabrics all make impact.

Imagine all the colours from a kaleidoscopic pattern and visualize them on hosiery, dresses and knits and you have an idea of how much pattern will be about in autumn 2004/winter 2005.

Graphic pop art prints amid floral prints, will sit happily with the neutrals as more and more individuals accept pattern and colour back into their life. Pucci prints have been revisited and other prints that may emerge this autumn include those with a natural feel using bamboo grasses, tiny florals and grape prints.
Texture Trends 2004/2005

Texture is set against textures with knit against ribbons or tulle against cashmere or velvet and fringe everywhere. Ribbon is threaded through not only sweaters, but also skirts and there is a French technique available now to produce a new material as a woven ribbon fabric.

Tweed comes in many forms, from the luscious irregular 50's style Bernat Klein type yarn textures found in Linton Tweeds used to make clothes for top fashion houses like Chanel, to the regularity of herringbone, Irish speckle tweeds to Scottish houndstooths.

Wrinkles, crimps, ruffles, fine pleating and quilting are built into otherwise plain fabric structures.

To Top of Page
Knits Trends 2004/2005

Cosy angora sweaters with fur trims, oversized large cardigans with contrasts of texture with threads of colourful ribbon, piping trims and tipped edges, fur effect sweaters and fair isle masculine style knits sum up knitwear for autumn 2004, winter 2005. Fur patches on elbows to knitted-in tufts of fur and long thick mohair made to appear like fur are some of the concepts that will appear in knitwear.

Knits, leathers and furs dominate for autumn 2004 and winter 2005. But look out too for tulle skirts, laser cut leaves of leather trimming all sorts of garments and photo print and digital print fabrics. Tweeds with raw edges that fringe. Tweed, tweed and more tweed was favoured by Badgley Mischka, Donna Karan and Oscar de la Renta. Many tweeds shown on the catwalk had raw fringes and the fabric could be inset with jewel rhinestones.
Furs Trends 2004/2005

Fur will be used everywhere with knit or fur with leather, shaved fur, fur collars, fur bolero shrugs, fur tippets along with other animal materials such as leather mixed with suede or natural cotton corduroy.

Political correctness and a genuine dislike and boycott of the the use of animal products by some, has meant that fur has been out of fashion so long, that designers have become unused to working with it. However along with the new techniques discussed below and other approaches such as dyeing fur multi colours, many are approaching it with a newly found creative flair breaking old boundaries as they handle what almost seems to some like a new material because it has been out of fashion for 20 years or so.

Statistics suggest that fur sales in Britain have increased by a quarter in the past year. The fur trade business is now worth over £177 million per annum and the average fur wearer is aged 35 today. Fur is worn more subtly today rather than in the full length mink or beaver coats of seasons past.

Typical usage is a simple trim on a hood or wrap scarf and the fur might just as easily be rabbit as mink. In addition fur became fashionable again when it was true vintage fur, where it was a physical impossibility to have been in any position to protest about the trapping of the fur if it was trapped so far back in history such as in the Edwardian era.
Techniques in Material Trends 2004/2005

Fish Scale Fur Technique

Many fur houses have now taken a fresh approach to manipulating material which has produced highly innovative ideas. One technical innovation is Saga's fish scale technique which uses different fur types such as silver fox with mink to create a lightness of texture with pattern and almost creates a new fur. Saga is a leader in the fur world of fashion.

Laser Work

Add laser cutting to featherweight chiffon and tulle fabrics, suedes and leathers and the versatile shapes and pattern it can cut in these contrasting materials means that unusual combinations of textures will create fabric interest only seen before in couture work.

All these factors will add up to say winter 2005.